Figure 1. Sebastiaan Vrancx - Battle of Vimpfen on 6 May 1622
(From Wikimedia Commons, the free media repository).
(Please click on this image and any of the others for a larger image.)
Most families have a foundation myth. These can often be difficult to confirm the veracity of, however they will always contain at least some germs of the truth.Figure 2. This painting shows Pieter Snayers (1592-1667) interpretation of the Battle of Bad Wimpfen.
Snayers was a painter who specialised in paintings of battles and sieges, who based at Antwerp where be became one of the Imperialist Habsburg main war artists. In 1628 he moved to Brussels, where he was closely associated with many of the Imperialist Spanish army officers. It is very possible that he had discussed the battle with either Gonzalo Fernández de Córdoba (1585–1635) or Johann Tserclaes, Count of Tilly the two principle Imperialist officers present at the battle, many years later while these officers were in Brussels. These paintings were intended to record the most significant events during the battles on a single canvas. This means that the painting is nearly always "very busy". It is often also broken into two or three horizontal bands.
Snayers had access to very accurate maps of many of these battlefields and sieges, which when compared to modern maps are often recognisably accurate depictions of the area. This painting lacks the upper part of most of Snayers works which are in effect maps.
The upper half of this painting shows the events from the battlefield, but misses out the Protestant wagon laager, but emphasises the Spanish Tercios. It is hard to be that this painting actually depicts the battle of Wimpfen.
The lower half of the painting from the battery of cannon downwards shows what may well be the Imperialist cavalry falling onto the fleeing Protestants. The Spanish and Imperialist German cavalry can be seen caracoling on the left. It is possible that the cavalry in the centre in disarray is the gallant Pforzheimer unit going down while defending their rulers escape.
Perhaps Hans Küttel is in the fleeing troopers on the right with the Markgraf on his horse with him? The swirl of cavalry at the top of this painting is an accurate depiction of a very well known Spanish tactic called the caracole or caracol (from the Spanish caracol - "snail"). The troopers in these units were armed with wheel lock pistols or carbines to fire in turn at enemy massed infantry. These wheel lock pistols could be re cocked by winding up a spring inside the weapon operated by a spanner that the trooper carried around his neck on a leather thong. He was able to reload, if he could find a sheltered spot on the battlefield. Failing that he had to thrown the wheel-lock into the face of his opponent, to gain time to draw his sword to slash his way to safety.
Each trooper in turn advanced to fire with his loaded piece, which he discharged as close as possible to the faces of the pikemen as he could get, without being spiked, before wheeling away to allow the other troopers following him to fire in turn. The men who had fired would then reload their pistols as they retired to the rear of the formation, so that an endless stream of firing troopers would in theory occur until the infantry pike block started to break up as individual pikemen became wounded or died, and the others became disordered enough, to allow the pike block to be broken, or its men chose to flee.
Figure 3. A contemporary engraving of the battlefield.
Like Snayers and Vrancx's painting, these engravings generally depict as many of the key manoeuvres as possible on a single sheet of paper. In practise each of the tactical moves took place in a sequence over many hours. Many of these prints like this one have a key on them, with small letters from the alphabet that were used to show the order of events.
I believe that the unit labelled "B" may be the Pforzheimer unit, perhaps with other Protestant cavalry units brigaded together.
The battle field is still largely open fields to this day. The A6 Autobahn runs around the perimeter of the battlefield today.
It lies along on our route when we drove with our children on family holidays to Hungary, so we have visited the battlefield at Wimpfen several times over the years.
When we first went there we were reduced to asking local farmers and villagers the way. Most had no idea what we were talking about, until we happened on to a potato farmer tilling his field.
He pointed out an overgrown bramble and thorn bush, which had grown up on a monument erected on the battlefield during the 19th Century.
In the last year or so some information boards have been erected.
If you would rather not reply in English to this blog, my wife is able to read German and Hungarian, and would translate for me. I have a small basic knowledge of both languages, but am very far from being fluent.
Most of what we know about the battle and the four hundred Pforzheimers comes from 19th Century books and plays, which are probably a bit misleading in places.
"Der tod der 400 Pforzheimer bei Wimpfen nicht eine sage sondern eine thatsache. Genaue untersuchung der streitfrag auf grund des ältesten hiesigen taufbuches mit benützung der ältesten geschichtlichen
quellen"
Figure 6. Der tod der 400 Pforzheimer bei Wimpfen |
This title about the death of the 400 Pforzheimers by Ernst Ludwig Deimling was written published in 1873, and very probably drew on old archives that survived until then. Sadly during 1944 and 1945 a series of very heavy air raids by the USAF and RAF destroyed much of the centre of the city. Sadly, nearly all of the old town centre had to be redeveloped after the war, and it became a rather a soulless place. Ernst Ludwig Deimling includes a list of the 400 men in this unit. He marked the men who died with a cross.
Figure 7. Hans Küttel listed amongst the 400. |
Rather intriguingly there is a Michael Balmer also present on the list. This is not entirely surprising as there are far more Balmers in the old records from Switzerland and the Palatinate downstream of Switzerland than there are in Britain.
Most come from areas strongly associated with the Protestant reformation. While I can trace my Balmer ancestors back to about 1700, I cannot go any further back here unless my ancestors were a spelling mistake away from being Bulmer's.
Both the Küttel and the Balmer family feature in Swiss Chronicles fighting against the Austrian Habsburgs at the Battle of Sempach back in 1386. Both families were living near Interlaken at that time.
Many seem to have left Switzerland over time and many appear in lists of soldiers in the coming years, but who was who is almost impossible to work out currently.
Figure 8. Martin Balmer listed as a member of the 400. |
Here is the Markgraf Georg Friedrich von Baden-Durlach (1573-1638). I hope that he hadn't had a full set of armour on when Hans Küttel had to pull him up onto his horse. The Markgraf had received a very nasty cut to his face and head caused by a lance during the battle, and this shows up in later pictures of him that can be seen here https://en.wikipedia.org/.../George_Frederick,_Margrave...
Figure 9. Markgraf Georg Friedrich von Baden-Durlach (1573-1638) |
Figure 10. "Die vierhundert Pforzheimer Bürger, oder die Schlacht bey Wimpfen ein vaterländisches Trauerspiel in 5 Aufz" By Ernst Ludwig Deimling · 1788 |
This earlier book was published in 1788 by Ernst Ludwig Deimling, who may have been father or grandfather to the author of the other book posted here. "Die vierhundert Pforzheimer Bürger, oder die Schlacht bey Wimpfen ein vaterländisches Trauerspiel in 5 Aufz" By Ernst Ludwig Deimling · 1788
This play presents the events surrounding the battle as a drama.
Figure 11. Sámuel Küttel in Hungarian early 20th Century documents |
By the 1690's Sámuel Küttel who is seen as the founder of the Hungarian Küttel family had arrived in Köszeg, or Güns as German speakers called the town in those days. Here he married the daughter of the Protestant Apothecary called the Fekete Szerecseny Pharmacy, which the family owned until the early 1950's when it was taken over by the Communist authorities. They effectively stopped it developing, and by the 1970's it became a museum, which can be visited to this day.
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